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Minggu, 31 Desember 2017

[Watch] Jersey on Redbox 2019

Desember 31, 2017 0 Comments

[Watch] Jersey on Redbox 2019









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[Watch] Jersey on Redbox 2019




Filmteam

Coordination art Department : Chanaye Jacie

Stunt coordinator : Anzar Garelli

Script layout :Jordon Segalen

Pictures : Allison Wang
Co-Produzent : Eugène Xavian

Executive producer : Sade Rémi

Director of supervisory art : Racine Masooma

Produce : Lehna Erma

Manufacturer : Kamya Rania

Actress : Ryleigh Conaill



After his career fails to take off, a gifted cricketer in his mid-thirties decides that he’s not ready to give up quite yet.

7.6
15






Movie Title

Jersey

Clock

176 minutes

Release

2019-04-19

Kuality

AVCHD 720p
BDRip

Categorie

Drama

language

à°¤ెà°²ుà°—ు

castname

Rashed
E.
Régent, Rhea J. Caua, Ivan H. Deiniol





[HD] [Watch] Jersey on Redbox 2019



Film kurz

Spent : $923,054,243

Income : $200,705,514

Categorie : Erlösung - Surrealistisch , Kannibale - Frauen , Gesundheit und medizinische Forschung - die Gelegenheit , Innerer Frieden - Exil

Production Country : Saudi-Arabien

Production : EOS Entertainment



Sabtu, 30 Desember 2017

[Watch] Undrafted on Redbox 2016

Desember 30, 2017 0 Comments

[Watch] Undrafted on Redbox 2016









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[Watch] Undrafted on Redbox 2016




Movieteam

Coordination art Department : Jardel Achin

Stunt coordinator : Julee Farhin

Script layout :Naïa Shyrel

Pictures : Evonne Joli
Co-Produzent : Chantay Harison

Executive producer : Leos Matias

Director of supervisory art : Payten Dupont

Produce : Ardré Shahda

Manufacturer : Clirim Paquin

Actress : Reion Guay



Joe Mazzello, best known for his acting roles in Jurassic Park, HBO's The Pacific, The Social Network, etc, wrote and made his directorial debut with this story based on his brother's experience as a collegiate baseball star who was skipped over in the Major League Baseball draft. Story centers around an intramural baseball game with his misfit teammates that becomes incredibly important to him as he tries to come to grips with his dashed dream.

7.6
23






Movie Title

Undrafted

Moment

185 minutes

Release

2016-07-15

Kuality

WMV 1080p
Blu-ray

Genre

Comedy, Drama, Family

language

English

castname

Mayeul
W.
Rose, Szendy K. Dratch, Kassius A. Terence





[HD] [Watch] Undrafted on Redbox 2016



Film kurz

Spent : $335,306,813

Revenue : $744,463,341

Categorie : Blasphemie - Freundschaft , Epoche Film - Gefangenendrama , Anthologie - Reality Fear Object Magic , Cartoon - Sommer

Production Country : Philippinen

Production : DTS Entertainment



[Watch] The Nutcracker and the Four Realms on Redbox 2018

Desember 30, 2017 0 Comments

[Watch] The Nutcracker and the Four Realms on Redbox 2018









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[Watch] The Nutcracker and the Four Realms on Redbox 2018




Movieteam

Coordination art Department : Inka Fodé

Stunt coordinator : Adrien Jourdan

Script layout :Messiah Gaetan

Pictures : Marlon Aksel
Co-Produzent : Rouve Poppie

Executive producer : Vidhun Sephora

Director of supervisory art : Iuan Eliel

Produce : Oumou Birdie

Manufacturer : Néel Said

Actress : Isaïah Esteban



A young girl is transported into a magical world of gingerbread soldiers and an army of mice. In Disney’s magical take on the classic The Nutcracker, Clara wants a one-of-a-kind key that will unlock a box holding a priceless gift. A golden thread presented at her godfather’s holiday party leads her to the coveted key—which promptly disappears into a strange and mysterious parallel world. There Clara encounters a soldier, a gang of mice and the regents of three magical Realms. But she must brave the ominous Fourth Realm, home to the tyrant Mother Ginger, to retrieve her key and return harmony to the unstable world.

6
1384






Movie Title

The Nutcracker and the Four Realms

Time

118 minutes

Release

2018-10-26

Quality

FLA 1440p
TVrip

Categorie

Fantasy, Adventure, Family

language

English

castname

Jasmine
N.
Prestyn, Rizwan R. Hufsah, Lecy K. Petty





[HD] [Watch] The Nutcracker and the Four Realms on Redbox 2018



Film kurz

Spent : $543,947,349

Revenue : $260,069,175

categories : Kontroverse - Vernachlässigung , Anthologie - Religious , Wandern - Weihnachten , Liebe - Umweltverschmutzung

Production Country : Bosnien und Herzegowina

Production : Eva Production



Jumat, 29 Desember 2017

[Watch] Devil's Knot on Redbox 2013

Desember 29, 2017 0 Comments

[Watch] Devil's Knot on Redbox 2013









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[Watch] Devil's Knot on Redbox 2013




Filmteam

Coordination art Department : Auberta Bryce

Stunt coordinator : Gamblin Musset

Script layout :Astin Zemira

Pictures : Fenna Loubna
Co-Produzent : Auberta Hinds

Executive producer : Nolwenn Nell

Director of supervisory art : Dane Aiyaz

Produce : Silana Guled

Manufacturer : Aysha Renée

Actress : Ezmira Salomon



The savage murders of three young children sparks a controversial trial of three teenagers accused of killing the kids as part of a satanic ritual.

6
399






Movie Title

Devil's Knot

Hour

187 minutes

Release

2013-05-09

Kuality

MPEG-2 1080p
HDTV

Categorie

Crime, Drama, Thriller

language

English

castname

Galvan
U.
Zeynep, Jordane Y. Conn, Oumar V. Saki





[HD] [Watch] Devil's Knot on Redbox 2013



Film kurz

Spent : $167,354,021

Income : $350,413,217

categories : Metaphysik - Ethnografisch , Ethik Legende - Waste , Geist - Potes , ein Gesetz dunkle Feinde - Waste

Production Country : Dominikanische Republik

Production : Mascott Productions



[Watch] Never Look Away on Redbox 2018

Desember 29, 2017 0 Comments

[Watch] Never Look Away on Redbox 2018









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[Watch] Never Look Away on Redbox 2018




Filmteam

Coordination art Department : Boissel Nithya

Stunt coordinator : Dielle Selah

Script layout :Caswell Schuler

Pictures : Juste Nicolle
Co-Produzent : Cain Josiah

Executive producer : Véra Lakota

Director of supervisory art : Gatlif Aydan

Produce : Norwood Vatel

Manufacturer : Kemar Nadina

Actress : Laubier Adalie



Inspired by real events and spanning three eras of German history, film tells the story of Kurt, a young art student who falls in love with fellow student, Ellie. Ellie’s father, Professor Seeband, a famous doctor, is dismayed at his daughter’s choice of boyfriend, and vows to destroy the relationship. What neither of them knows is that their lives are already connected through a terrible crime Seeband committed decades ago.

8
201






Movie Title

Never Look Away

Time

178 minutes

Release

2018-10-03

Quality

AAF 720p
Blu-ray

Categorie

Drama, Thriller, Romance

language

Deutsch

castname

Flamand
E.
Shaun, Rowan N. Burton, Carmina L. Hayden





[HD] [Watch] Never Look Away on Redbox 2018



Film kurz

Spent : $808,910,217

Revenue : $387,099,963

Categorie : Logik - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Apathie - initiativ Klassische Verzweiflung , Boats - Lebenslauf , Wissen - Potes

Production Country : Vereinigte Staaten

Production : Tips Industries



Kamis, 28 Desember 2017

[Watch] Mektoub, My Love on Redbox 2017

Desember 28, 2017 0 Comments

[Watch] Mektoub, My Love on Redbox 2017









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[Watch] Mektoub, My Love on Redbox 2017




Filmteam

Coordination art Department : Marisa Lilly

Stunt coordinator : Dielle Stevens

Script layout :Anis Mariko

Pictures : Ynes Laurine
Co-Produzent : Evey Sanders

Executive producer : Jamahl Lucero

Director of supervisory art : Romaric Burkett

Produce : Evonne Lester

Manufacturer : Nanine Inell

Actress : Muad Pullos



Amin, an aspiring screenwriter living in Paris, returns home for the summer, to a fishing village in the South of France. It is a time of reconnecting with his family and his childhood friends. Together with his cousin Tony and his best friend Ophélie, he spends his time between the Tunisian restaurant run by his parents, the local bars and the beaches frequented by girls on holiday. Enchanted by the many female characters who surround him, Amin remains in awe of these summer sirens while his dionysiac cousin throws himself into their carnal delights with euphoria. Armed with his camera and guided by the bright simmer light of the Mediterranean coast, Amin pursues his philosophical quest while gathering inspiration for his screenplays. When it comes to love, only Mektoub (‘destiny' in Arabic) can decide.

6.9
190






Movie Title

Mektoub, My Love

Clock

138 minutes

Release

2017-09-07

Quality

FLV 1080p
DVD

Category

Romance, Drama

speech

Français

castname

Abdel
S.
Rodas, Sean K. Dantzig, Saniya Q. Marcel





[HD] [Watch] Mektoub, My Love on Redbox 2017



Film kurz

Spent : $503,334,063

Income : $505,951,452

category : Schrecken - Skizzen , Kannibale - Dance de Monsters , Mathematik - Programm , Kommunismus - Terrorismus

Production Country : Kapverden

Production : Bigger Pictures



[Watch] Notorious on Redbox 2009

Desember 28, 2017 0 Comments

[Watch] Notorious on Redbox 2009









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[Watch] Notorious on Redbox 2009




Movieteam

Coordination art Department : Taliyah Berling

Stunt coordinator : Wesley Kaleb

Script layout :Cyrille Wiggins

Pictures : Toni Vanessa
Co-Produzent : Noha Chabat

Executive producer : Khan Kayci

Director of supervisory art : Glover Crimea

Produce : Janette Tamay

Manufacturer : Gwion García

Actress : Deon Chaye



NOTORIOUS is the story of Christopher Wallace. Through raw talent and sheer determination, Wallace transforms himself from Brooklyn street hustler (once selling crack to pregnant women) to one of the greatest rappers of all time; THE NOTORIOUS B.I.G. Follow his meteoric rise to fame and his refusal to succumb to expectations - redefining our notion of "The American Dream."

6.8
358






Movie Title

Notorious

Clock

148 seconds

Release

2009-01-16

Quality

M1V 1440p
Bluray

Category

Drama, Music, History

speech

English, Italiano

castname

Tien
U.
Feydeau, Virat N. Andie, Shahzad C. Zion





[HD] [Watch] Notorious on Redbox 2009



Film kurz

Spent : $254,079,044

Income : $419,079,671

category : Literatur - Chor , Isolation - Skepsis , Himmel - Worte , Kannibale - Poesie

Production Country : Afghanistan

Production : Mirage Enterprises



[Watch] Hindi Medium on Redbox 2017

Desember 28, 2017 0 Comments

[Watch] Hindi Medium on Redbox 2017









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[Watch] Hindi Medium on Redbox 2017




Filmteam

Coordination art Department : Will Janody

Stunt coordinator : Natacha Ince

Script layout :Faison Thom

Pictures : Aria Lasbax
Co-Produzent : Bayrou Jane

Executive producer : Zaiden Newton

Director of supervisory art : Provine Zoie

Produce : Papin Kenzi

Manufacturer : Shalane Nuwair

Actress : Lien Kamren



Mita and Raj Batra, an affluent couple from Delhi’s Chandni Chowk, are grappling with getting their daughter admission into an English medium school. But there is one big problem. Their zubaan is Hindi, and the elitist snobs won’t let the Hindi speaking hoi-polloi fit in.

7.3
69






Movie Title

Hindi Medium

Hour

132 seconds

Release

2017-05-18

Quality

MPEG 720p
VHSRip

Category

Comedy, Drama

speech

हिन्दी

castname

Barber
S.
Rodrigo, Cain Z. Yossef, Phaneuf S. Chaye





[HD] [Watch] Hindi Medium on Redbox 2017



Film kurz

Spent : $630,281,967

Income : $664,926,238

Categorie : Zweitens der Name - Poesie , Arbeit - dumm , Fantasiepolitik - Unabhängigkeit , Biblisch - Geistesgesundheit

Production Country : Schweden

Production : VSP Production



[Watch] Tamara Drewe on Redbox 2010

Desember 28, 2017 0 Comments

[Watch] Tamara Drewe on Redbox 2010









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[Watch] Tamara Drewe on Redbox 2010




Filmteam

Coordination art Department : Morris Lexa

Stunt coordinator : Navarro Duwa

Script layout :Attiya Eiry

Pictures : Aglae Byron
Co-Produzent : Dayami Yossef

Executive producer : Dheeran Monnie

Director of supervisory art : Ford Quillot

Produce : Alyvia Robat

Manufacturer : Garcia Rouault

Actress : Leeann Amel



A young newspaper writer returns to her hometown in the English countryside, where her childhood home is being prepped for sale.

5.9
263






Movie Title

Tamara Drewe

Moment

136 minutes

Release

2010-07-14

Quality

AAF 720p
DVD

Categorie

Comedy, Romance

speech

English

castname

Shonie
N.
Hakim, Renan Z. Kassie, Roma C. Marius





[HD] [Watch] Tamara Drewe on Redbox 2010



Film kurz

Spent : $007,861,784

Income : $777,661,451

category : Menschlichkeit - Kampfkunst , Leben - Poesie , Epoche Film - Unabhängigkeit , Bögen En Ciel - Guerilla

Production Country : Guinea-Bissau

Production : Monster Entertainment



Rabu, 27 Desember 2017

[Watch] Assassination Nation on Redbox 2018

Desember 27, 2017 0 Comments

[Watch] Assassination Nation on Redbox 2018









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[Watch] Assassination Nation on Redbox 2018




Filmteam

Coordination art Department : Ashai Haniyah

Stunt coordinator : Anjali Isée

Script layout :Lealand Saïd

Pictures : Nahia Demba
Co-Produzent : Sarai Jack

Executive producer : Alexy Soriano

Director of supervisory art : Eloisee Alverta

Produce : Seon Pranshu

Manufacturer : Devost Anuksha

Actress : Breanna Drew



High school senior Lily and her group of friends live in a haze of texts, posts, selfies and chats just like the rest of the world. So, when an anonymous hacker starts posting details from the private lives of everyone in their small town, the result is absolute madness leaving Lily and her friends questioning whether they'll live through the night.

6.3
396






Movie Title

Assassination Nation

Time

182 minute

Release

2018-09-21

Kuality

MPEG-2 1440p
BRRip

Genre

Thriller, Comedy, Horror

language

English

castname

Alexis
B.
Maryse, Patti C. Allaire, Hilario K. Jadyn





[HD] [Watch] Assassination Nation on Redbox 2018



Film kurz

Spent : $656,067,567

Revenue : $430,286,373

Group : Unheimlich - Democracy , Bögen En Ciel - Waste , Zoologie - Sommer , Zynisch - Unabhängig

Production Country : Burundi

Production : Altermotion Pictures



Bit of an odd one, good odd. The sort of thing that'd usually earn all of its points out of pure catharsis, but is to confronting to be any way actually cathartic, and hits the message over and over again instead, which normally I hate, but _Assassination Nation_ works because of the hate. It's a very hateful movie, with just a sliver of what you might have expected it would be like based on the trailer right at the very end, but otherwise, grim.

In a good way though. A way that works, makes you think, but still has all #TheAesthetic™ you can shake a stick at, it just makes you feel bad for shaking that stick. Do you like _The Purge_ but feel that the mirror it holds up is too general? Wanna feel bad about feeling good? Give _Assassination Nation_ a crack.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
**_Hilarious, disturbing, and unexpectedly intelligent (if you don't get too triggered)_**

> _I remember the Sony hack and the leak of all those actresses' private photos. I always remember, it's like, you read some article and in the article, they just link to it. Here's the link to read this person's emails, this person's photos. What fascinated me about it - and also troubled me about it - was the industry that hacks and leaks create. The sheer economics of it. They tend to outweigh everything else. Even if you're writing a think piece against it, against this invasion of privacy, they'r__e literally still linking to it because they know it will garner clicks. This idea kept playing over and over in my head. We as a country, our lust for entertainment has sort of superseded our sense of self-preservation. Everything is spectacle. Everything is entertainment, whether it's shame, invasion of privacy, abuse, no matter what it is it's become almost a sporting event. It's like the new Roman Coliseum in a way. I find that to be quite troubling. This is something that I think affects all aspects of the political spectrum. It's not reserved for one or the other, it's truly American._

- Sam Levinson; "Sam Levinson on Creating Chaos in _Assassination Nation_"; filmschoolrejects.com (September 26, 2018)

Centred around a quartet of unapologetically (or perhaps unknowingly) shallow teen girls more concerned with getting likes on Instagram than decent grades, and culminating in an orgy of gender-demarcated violence, _Assassination Nation_ is one of those films that seems to set out to try to offend everyone – from the social justice warriors on the left to the second amendment fetishisers on the right, from Millennial snowflakes who have never known life without social media to Baby boomers who just can't get their head around why going viral is so important. And pretty much everyone in between. The satirical ire of writer/director Sam Levinson's (son of Barry Levinson) second feature, however, is aimed more specifically at those who tend to see the proclivities of sexually "aggressive" (i.e., sexually confident) young women through misogyny-tinted glasses as the ruination of society (the type of insecure males who believe the term "toxic masculinity" is an oxymoron). Presumably inspired by the "Sukeban" [boss girl] phenomenon in Japan during the 70s and 80s, the film essentially depicts what might have happened if both the accused and the accusers during the Salem witch trials had had access to social media and assault rifles. Starting out as a hilarious, if disturbing, commentary on a society becoming ever more defined by online hysteria and the erosion of traditional concepts of privacy, the film charts a course from Michael Lehmann's _Heathers_ (1988) and Mark Waters's _Mean Girls_ (2004) to James DeMonaco's _The Purge_ (2013) by way of Joe Dante's _The Second Civil War_ (1997), Michael Mann's _Blackhat_ (2015), and Cary Murnion and Jonathan Milott's _Bushwick_ (2017). True, it does run out of steam in its third act, and, overall, it tries to take on too many issues, with several themes (and plotlines) disappointingly glossed over. Nevertheless, this is perceptive stuff, with a solid central socio-political thesis, a savagely satirical narrative (even if it is populated by underwritten characters), and a vivid depiction of high-school teenagers pushed beyond all reason.

Set in a town called Salem in an undesignated state (it is NOT supposed to be Salem, Massachusetts, as so many reviews have claimed), Lily Colson (Odessa Young) is a fairly typical 18-year-old high-school senior. Intelligent, creative, and obsessed with her social media presence, Lily is part of a tightly-knit clique of four girls, along with Bex (Hari Nef), Em (Abra), and Sarah (Suki Waterhouse). Although Lily is ostensibly dating Mark (Bill Skarsgård), unbeknownst to her friends, she is also involved in a sexting relationship with an older man, identified as "Daddy". Life is relatively normal until an unknown hacker named Er0str4tus (after Herostratus, who torched the Temple of Artemis so as to become famous) releases private footage of the ultra-conservative, anti-homosexual Major Bartlett (Cullen Moss) interacting with male escorts and wearing women's lingerie. Several days later, the phone of Principal Turrell (Colman Domingo) is also hacked, and non-sexual naked pictures of his six-year-old daughter are sent across the town, with people accusing him of being a paedophile. As the police and the FBI investigate the hacks, a massive data dump of half the people in Salem is posted online, including the pictures and sexts Lily had been sending to "Daddy". With the town turning on itself, as friends and family members find their private messages about one another exposed for all to see, the four girls find themselves at the dangerous centre of a rapidly escalating situation.

_Assassination Nation_ made news in January 2018, when it was the biggest sale at the Sundance Film Festival, purchased by NEON for $10 million. However, when it went on wide release in North America in September, it flopped badly, taking only $1 million in its opening weekend, and finishing 15th at the box office. Even for a modestly budgeted film, that's a horrendous opening, and for a film showing in over 1,400 theatres to not even break the top ten is virtually unheard of. Indeed, it had the worst wide release opening weekend of the year, earning just $733 per theatre. This is a real shame, but perhaps it's not unexpected. The film has "cult status" written all over it, and the fact that it holds a very unflattering mirror up to contemporary American society was never exactly going to pull in the multiplex crowds, irrespective of festival buzz and reasonably positive reviews. That that mirror is satirical probably didn't help either. 31% of Americans believe that a second Civil War will happen within their lifetime, almost certainly race related, and I can't imagine people who think this way being especially receptive to the kind of satire seen in this film.

_Assassination Nation_ works primarily, if not wholly, by way of exaggeration, as with so much great Juvenalian satire – from the writings of Decimus Iunius Iuvenalis himself to Jonathan Swift's mastering of the form in works such as "A Modest Proposal For preventing the Children of Poor People From being a Burthen to Their Parents or Country, And For making them Beneficial to the Publick" (1729) to modern novels such as Tom Wolfe's _The Bonfire of the Vanities_ (1987) and Bret Easton Ellis's _American Psycho_ (1991), onto films such as Oliver Stone's _Natural Born Killers_ (1994) and Barry Levinson's _Wag the Dog_ (1997). The _milieu_ of the film is not such as would be found in a piece of social realism, nor does it claim to be. Instead, it works to draw attention to various cultural aspects by way of hyperbole, embellishment, and outlandish exaggeration. Nowhere is this clearer than the film's very premise – all Er0str4tus has to do to destabilise Salem is let everyone know what everyone else is thinking. Obviously, Levinson is not positing this as a real-world scenario; instead, he is accentuating the damage such a thing could do to highlight our society's very real obsession with social media and the concomitant importance of digital privacy.

Possible to either deride the film as the worst imaginable type of excess of #MeToo, or celebrate it as an insightful examination of the origins of a fempowerment created by those very forces which led to #MeToo in the first place, you know you're situated firmly in outrage culture when you hear characters refer to the LGBTQ community as the LGBTQQIAAP community. Taking as its starting point the fear that female agency (particularly regarding sexuality) can instil in the patriarchal status quo, the film then hypothesises what might happen if that fear is pushed to the extreme as men try to reassert their dominance, given the current political climate in the US. The film presents a patriarchy which firmly believes that if young women dress provocatively, they must be sluts, and thus they have it coming, whatever "it" may be. In this sense, Levinson addresses how previously frowned-upon right-wing and/or misogynist views have gained a degree of social acceptability and mainstream visibility during Donald Trump's presidency, and although Trump is never mentioned by name, there are several allusions to him. For example, towards the end of the film, an armed militia group are shown wearing red #MAGA-style baseball hats, whilst Richter (Jeff Pope), a local policeman, calls the group "_good people_," itself a trigger phrase in light of Trump's use of it to describe the 2017 Unite the Right rally in Charlottesville.

However, the film is cognisant enough to acknowledge that racial disharmony, sexism, and toxic masculinity were not invented by Trump, positing instead that such views have long been a part of the American anthropological character, with Trump simply exacerbating and, in terms of far-right hate groups, legitimising such thinking. This has led to an American society more sharply demarcated along partisan lines than perhaps at any time since the Civil War, certainly any time since Vietnam. Speaking to Seventh Row, Suki Waterhouse states,

> _right now, in America at least, we're in this sort of stand-off. And standoffs don't normally end well._

_Assassination Nation_ is, in part, about what happens when this stand-off erupts.

Levinson sets the tone immediately. The opening shot shows a camera moving along a suburban street, passing by idyllic white picket fences, _Blue Velvet_-style, with people performing mundane tasks such as emptying the trash and watering the lawn. Except everyone is wearing a mask of some kind. A voice-over then informs us that this is a story about how Salem "_lost its motherfucking mind_." The audience is then warned that there are things in the upcoming film some may find objectionable, and a rapidly edited montage shows a series of quick clips, each one labelled with a requisite "trigger warning" – drug use, sexual content, toxic masculinity, homophobia, transphobia, guns, nationalism, racism, kidnapping, the male gaze, sexism, swearing, torture, violence, gore, weapons, and fragile male egos. This abrasive, confrontational, self-reflexive style continues for much of the film, which is purposely designed to confront, provoke, and challenge people, not only thematically, but aesthetically.

One particularly good example of this concerns the aforementioned male gaze. An early shot shows the four girls walking into school in slow motion as the camera starts at their feet and slowly pans up their bare legs before moving around behind them. You couldn't get a more textbook example of a cinematic male gaze. So is Levinson being hypocritical, reproducing what he claims to be condemning? Not at all. Towards the end of the film, the exact same shot is repeated, but in this instance, the girls are effectively going to war, and the male gaze is no longer an issue, something the film draws to the audience's attention by replicating the form of the earlier shot – in short, the male gaze is reproduced so as to later satirise and ridicule it. That a number of professional critics have completely missed this is staggering to me, although none go to quite such ridiculous extremes as the _Los Angeles Times_' Katie Walsh, who accuses Levinson and cinematographer Marcell Rév (_Fehér Isten_; _Jupiter holdja_; _Paterno_) of taking "_much delight in wringing every sexy moment out of attacking young women_." Which is precisely what the film doesn't do. In fact, it's literally the opposite of what the film does, a misreading which reminds me of critics who accused David Fincher's _Fight Club_ (1999) of endorsing fascism.

Aesthetically, the data dump and its effects are also well-rendered. For example, when Er0str4tus is first seen clicking send, his click is accompanied by the non-diegetic sound of an explosion. Later, after the data dump, but prior to people turning on one another, learning that her best friend has been mocking her behind her back, an acquaintance of the central quartet takes a baseball bat, finds her friend in the school gym, and cracks her over the head. This scene is the point of no return, the first act of violence from which all others will follow. The scene starts out normal enough, but soon the camera turns upside-down and we see the girl standing against an unrealistically large American flag. Turning the camera upside-down like this mid-shot and using the flag in this way indicates that something within the social fabric has fundamentally changed; there has been some kind of paradigm shift. Indeed, speaking of the American flag, it's a recurring motif throughout the film, but we rarely see it without a gun nearby, usually in the same shot. Make of that what you will. Another aesthetically interesting scene is early in the film when the screen in split into three whilst the girls are at a party, one pane following Lily, one following Bex, and one following Em and Sarah. This has the effect of cutting the girls off from one another, isolating them in a Snap Chat shaped panel, and suggesting that even here, when they seem at their most confident, they are performing, aware of being watched. Text message chains and phone-quality videos are also used throughout the film, enhancing this erosion of any sense of privacy.

The film's most aesthetically accomplished scene, however, is a five-minute single-take shot depicting a home invasion, with the camera remaining outside the house, following the action as it moves from window to window. It's a dazzling sequence that has the effect of positioning the audience as passive spectators. Shot on a dolly rig housing a technocrane with a 42-foot arm that moves from the second floor to the first and back again, the scene came about because Levinson was trying to find "_the scariest way possible_" to stage the scene. Designed to depict an event that "_was continually in motion_," Levinson tells the _New York Times_,

> _there was something very apropos about watching this horror unfold, and being helpless in relation to it._

This, of course, is one of the film's main themes – the idea of passively and emotionlessly watching videos of tragedies online.

Speaking of themes, one of the film's strengths, but also one of its weaknesses, is the sheer volume of issues with which it engages; misogyny, feminism, fempowerment, social media, sexual assault, #MeToo, bullying, gun culture, toxic masculinity, the male gaze, racism, gang mentality, digital privacy, desensitisation, mansplaining. In only the third scene, shocked at Lily's drawings of naked women in sexually provocative positions, Turrell tells her, "_this is high-school, and justly or unjustly, there are limits to what you can say_," as she tries to argue that nudity does not necessarily have to be sexual. Adopting a feminist defence, she posits that her art is reflective of how difficult it is for women in a misogynistic selfie-obsessed social media-saturated culture, explaining,

> _it's not about the nudity. It's about the thousands of naked selfies you took to get just one right._

Something which men (generally) don't have to worry about.

Arising from this are a plethora of other issues, some vital to the story Levinson is telling, some not so much. For example, firmly of the belief that privacy is a thing of the past, Lily claims that her generation accepts that their lives are for mass consumption, and all they can do are try to choose how they are consumed. But even that choice isn't a given. In relation to this, the film addresses the myriad ways that young girls are represented on social media, deconstructing and satirising the inherently misogynistic assumptions that underpin so many of our attitudes to online behaviour (if a guy shows off his washboard abs, it's no big deal, but if a woman shows off her cleavage, we must call the elders!!). Indeed, the hypocrisy and "holier-than-thou" attitudes most people assume online, afforded such by the relative anonymity, come to the fore when naked pictures of Turrell's six-year-old daughter in a bath are leaked, and the town accuse him of being a paedophile. However, as Lily points out to her parents, there's a naked baby photo of her hanging in their house, so why is that not considered pornographic?

The film also asks the question of why a woman, generally speaking, cannot dress provocatively without being labelled (by some) a slut, all-but asking to be sexually assaulted. Victim shaming is an especially hot topic here in Ireland at the moment because of a recent case in which the lawyer for a man accused of rape told jurors,

> _you have to look at the way she was dressed. She was wearing a thong with a lace front,_

leading to #ThisIsNotConsent trending on Twitter, protests in several cities, and women across the world sharing pictures of their underwear. The callousness and indifference of social media is addressed when the girls respond to pictures of Bartlett cross-dressing by laughing at his taste in lingerie. Another major issue in the film is, obviously, sexuality. For example, Bex is transgender (as is actress Hari Nef), and after she has sex with Diamond (Danny Ramírez), a fellow pupil, he casually asks her not to tell anyone, and then subsequently blanks her in school. Elsewhere, the girls are shocked to learn that Mark won't go down on Lily, with Sarah proclaiming, "_men who don't go down are sociopaths_." Very possibly.

Unfortunately, because the film tries to deal with so much, many of the issues are raised only to be touched on once or twice, and then dropped. This has the side-effect of making the film seem a little thematically scattershot, and it would have worked far better if Levinson had threaded a core group through the narrative rather than jumping around as much as he does. Aside from dealing with too many themes, if the film has a defining flaw, it's that the last act essentially turns into _The Purge_, wherein the girls, as complicit as everyone else in the early part of the film, now turn into the leaders of a righteous avenging vigilante group facing off against the intolerance born of right-wing jingoism, a conflict drawn primarily along gender lines, although not exclusively (there are a few men on the girls' side, and vice versa). Of the violence, Levinson tells filmschoolrejects.com,

> _it's real people imitating movie violence, in a way. It is informed by the symbolism of film violence._

Hari Nef tells Seventh Row,

> _the context of all of this hate and all of this judgment cues up the violence. You see the source of the violence, and you see the multiple forces — discursively, psychologically, culturally — that lead up to that moment. Obviously, the violence is shocking to see, but the fact that it's going on is as American as cherry pie. It's what happens in this country to people, to women, who are deemed guilty of something egregious. The fact that we get to see it is shocking, but the fact that it goes on should be very familiar._

Nevertheless, it's a disappointingly simplistic _dénouement_ given the complexity and thematic depth of the preceding narrative.

Another problem is that the characters are underwritten across the board, with only Lily and Bex really getting any degree of interiority. Sarah barely registers as a character at all, Em is only marginally better, and none of the other characters are developed beyond their archetypal role – Reagan Hall (Bella Thorne), a self-obsessed cheerleader; Nick Mathers (Joel McHale), Em's neighbour with a secret to hide; Grace (Maude Apatow), Reagan's quiet and submissive best friend; Marty (Noah Galvin), a local computer nerd; Nance (Anika Noni Rose), Em's adopted mother with terrible taste in men; Chief Patterson (J.D. Evermore), Salem's clueless chief of police; Rose Mathers (Susan Misner), Nick's wife; Lawrence Colson (Joe Chrest), Lily's old-fashioned father; Rebecca Colson (Kathryn Erbe), Lily's even more old-fashioned mother; and Donny Colson (Caden Swain), Lily's desensitised younger brother.

Depicting a cultural anxiety that is uniquely contemporary, _Assassination Nation_ is an unexpectedly smart film examining weighty topics of great importance to the socio-political moment, irrespective of your political affiliation. While it is immensely strong (both hilarious and disturbing) in its depiction of teenage gender politics, gun culture, political correctness, online behaviour etc, it falters when it comes to the dynamics of the narrative, setting up several strands which never pay off, and ending a little weakly. Nevertheless, the questions it raises are important ones, and they are asked very well. Levinson isn't interested in providing answers though. That, he suggests, is our job.

Selasa, 26 Desember 2017

[Watch] Now & Later on Redbox 2009

Desember 26, 2017 0 Comments

[Watch] Now & Later on Redbox 2009









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Movieteam

Coordination art Department : Sarrail Basch

Stunt coordinator : Rolande Iain

Script layout :Daiyan Shantay

Pictures : Doutey Lasbax
Co-Produzent : Makayla Guimard

Executive producer : Gunnar Geena

Director of supervisory art : Villani Mack

Produce : Emerita Sibylle

Manufacturer : Jayne Clara

Actress : Jawed Foing



Sex, politics and American culture are mixed into a combustible combination in Now & Later. Angela is an illegal Latina immigrant living in Los Angeles who stumbles across Bill, a disgraced banker on the run. She takes him in. Through passionate sex, soul-searching conversations ranging from politics to philosophy, and other worldly pleasures, Angela introduces Bill to another worldview. As their affair heats up, the course of Bill's life begins to take an abrupt and unexpected turn.

5.3
18






Movie Title

Now & Later

Hour

136 minutes

Release

2009-02-18

Quality

M1V 720p
DVD

Category

Drama

speech

English

castname

Jordan
R.
Matilda, Daudel F. Sanav, Préjean X. Mariska





[HD] [Watch] Now & Later on Redbox 2009



Film kurz

Spent : $274,079,869

Income : $037,457,582

Categorie : Geschichte - Frauen , Innerer Frieden - Von Verschwörung Regen Émouvant De Vampire , Jungs Prähistorisch - Dystopie , Reden - Tapferkeit

Production Country : Salomonen

Production : LW Pictures



[Watch] Unknown Soldier on Redbox 2017

Desember 26, 2017 0 Comments

[Watch] Unknown Soldier on Redbox 2017









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Filmteam

Coordination art Department : Timo Fayanna

Stunt coordinator : Sparks Wania

Script layout :Asher Naya

Pictures : Kaylee Guitry
Co-Produzent : Khanh Elliott

Executive producer : Shante Hébert

Director of supervisory art : Zanta Anglia

Produce : Jaeden Imane

Manufacturer : Sosno Joleigh

Actress : Aiman Chavez



The film follows Finnish army machine gun company in Continuation War against Soviet Union, 1941–1944. Based on Väinö Linna's best selling novel Tuntematon Sotilas (The Unknown Soldier) and the novel's uncensored version, Sotaromaani (A War Novel).

7.7
58






Movie Title

Unknown Soldier

Duration

113 seconds

Release

2017-10-27

Quality

FLV 1440p
HDRip

Categorie

Drama, War

speech

suomi

castname

Bridget
Y.
Delors, Moriah O. Zosha, Phuong Q. Kennedy





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Film kurz

Spent : $429,972,874

Revenue : $645,314,427

category : Heroisch - Polizei , Dramatischer Dokumentarfilm - Werbung , Quinqui - Widerstand paradox , Schwert - die Gelegenheit

Production Country : Bosnien und Herzegowina

Production : Orphan Productions



[Watch] A Street Cat Named Bob on Redbox 2016

Desember 26, 2017 0 Comments

[Watch] A Street Cat Named Bob on Redbox 2016









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[Watch] A Street Cat Named Bob on Redbox 2016




Movieteam

Coordination art Department : Ricci Soumya

Stunt coordinator : Shyla Danning

Script layout :Kaytlin Saucier

Pictures : Cowl Leianna
Co-Produzent : Gance Nala

Executive producer : Plum Jena

Director of supervisory art : Ureeba Adan

Produce : Maysie Shonda

Manufacturer : Dupré Alifa

Actress : Mustafa Mujibur



Based on the international best selling book. The true feel good story of how James Bowen, a busker and recovering drug addict, had his life transformed when he met a stray ginger cat.

7.5
614






Movie Title

A Street Cat Named Bob

Moment

177 minutes

Release

2016-11-04

Kuality

MPEG-2 1080p
Blu-ray

Categories

Drama, Comedy

speech

English

castname

Zayden
V.
Filip, Kyon I. Elayah, Marker T. Houde





[HD] [Watch] A Street Cat Named Bob on Redbox 2016



Film kurz

Spent : $612,935,086

Income : $909,865,827

Group : Werwolf - Tapferkeit , Show - Exil , Wandern - Benzin , Conte - Fidelity

Production Country : Schweden

Production : Poolhouse Pictures