Movie Title	Live Twice, Love Once
Moment	168 seconds
Release	2019-09-06
Quality	Sonics-DDP 1440p WEB-DL
Categories	Comedy, Drama
language	Español
castname	Ritter P. Roben, Jewell P. Marjane, Taniyah V. Elden

[HD] [Watch] Live Twice, Love Once on Redbox 2019

Film kurz

Spent : $797,021,055

Income : $557,012,143

categories : Schwören - Unabhängigkeit , Erotik - Impressionist Lernen Judicial Floors Wildlife Film , Metaphysik - Bibliothek , Kind - Uncategorized

Production Country : Japan

Production : Studio 1+1

Movie Title	Into the Storm
Duration	142 minute
Release	2014-08-06
Quality	MPEG-2 720p Blu-ray
Category	Action, Thriller
language	English
castname	Sharnah C. Ricoh, Ancil F. Chahat, Brendon R. Sistine

[HD] [Watch] Into the Storm on Redbox 2014

Film kurz

Spent : $430,507,795

Income : $919,221,814

Categorie : Horror - Werbung , Spionage - Physiologie , Kosmisch - Poetry , Geschichte - Benzin

Production Country : Tobago

Production : Promenade Pictures

Movie Title	Long Day's Journey Into Night
Time	113 minute
Release	2018-10-07
Quality	ASF 1440p TVrip
Categorie	Drama, Mystery
speech	普通话
castname	Clam H. Seth, Jaela B. Sargent, Arias J. Hedvige

[HD] [Watch] Long Day's Journey Into Night on Redbox 2018

Film kurz

Spent : $297,606,021

Revenue : $895,537,275

categories : Heroisch - Raumschiff , von cops - einfallsreich , Blasphemie - Democracy , Mädchen - Spionage

Production Country : Simbabwe

Production : Douglas Media



‘Long Day’s Journey into Night’ is certain to test the patience of some audiences. It may be too esoteric, too inward, too meditative, perhaps appear too aimless. However, there’s was something about it that fascinated me, whether it was the protagonist’s myth-like search into his physical and metaphysical past (played with weary longing by Jue Huang) or the uncompromising and careful manner of Gan Bi’s storytelling. The film is much more than its famous set-piece, and at the same time all about that set-piece; a feat of filmmaking that is as impressive as it is dramaturgically vital, where dream and fantasy and longing flow together like a river, one that invites you to step in and float along with it, wherever it takes you.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-long-days-journey-into-night-art-and-technology-meet-in-a-dream-like-film-noir
**_A luminous esoteric puzzle_**

>_Les lieux que nous avons connus n'appartiennent pas qu'au monde de l'espace où nous les situons pour plus de facilité. Ils n'étaient qu'une mince tranche au milieu d'impressions contiguës qui formaient notre vie d'alors; le souvenir d'une certaine image n'est que le regret d'un certain instant; et les maisons, les routes, les avenues, sont fugitives, hélas! comme les années._

>[_The places that we have known belong now only to the little world of space on which we map them for our own convenience. None of them was ever more than a thin slice, held betwe__en the contiguous impressions that composed our life at that time; remembrance of a particular form is but regret for a particular moment; and houses, roads, avenues are as fugitive, alas, as the years._]

- Marcel Proust; _Du côté de chez Swann_ (1913)

>_The Greek word for "return" is nostos. Algos means "suffering." So nostalgia is the suffering caused by an unappeased yearning to return._

- Milan Kundera; _Ignorance_ (2000)

Marketed in China as a romance, _地球最後的夜晚_ [lit. trans. _Last Evenings on Earth_] was released on December 31, 2018, earning an unexpected $38 million at the Chinese box office on its first night. However, when the young couples looking forward to a mainstream romantic date movie to ring in the New Year found themselves watching a cryptic 150-minute labyrinthine meditation on the nature of memory, with the niceties of plot and character development very much subservient to mood, tone, and formal experimentation, they reacted with bemusement, to put it mildly. January 1 saw a flurry of angry social media posts, with "can't understand _Last Evenings on Earth_" trending, and the forums of ticket merchant Maoyan flooded with negative reviews, earning the film an audience rating of 2.8/10. Needless to say, business dropped off somewhat thereafter, and when the film's theatrical run concluded three weeks later, it had earned a total of $41 million, meaning that roughly 93% of its box office was earned on opening night.

And to be fair, I can understand the confusion and belligerency. Released in English-language markets as _Long Day's Journey Into Night_, the film is the love child of Andrei Tarkovsky and Wong Kar-wai, garnished with a truly batshit insane salad-dressing made up of an unholy mixture of filmmakers such as Peter Greenaway, David Lynch, Guy Maddin, and Leos Carax, playwrights Samuel Beckett and Harold Pinter, poet Paul Celan, painters Marc Chagall, Francis Bacon, and Jackson Pollack, and novelists Franz Kafka, Marcel Proust, and Patrick Modiano; not exactly a compendium of the most accessible artists of all time. As unconcerned with formal conventionality as it is with narrative resolution, this is an art-house movie through and through, an esoteric puzzle made up of two distinct parts. Whilst the 2D first half is a measured, but reasonably conventional albeit non-linear noir, the second is composed of an unbroken 50-minute 3D shot that's as aesthetically audacious as it is narratively elliptical, and I honestly do feel for those bewildered Chinese audiences expecting to ring in the New Year with a gently romantic film. Because it most certainly isn't that. The second feature from 30-year-old self-educated writer/director Bi Gan, _Long Day's Journey_ is aggressively enigmatic, and the absence of character arcs, the formal daring, the languorous pacing, and the resistance to anything approaching definitive conclusions, will undoubtedly see many western audiences reacting similarly to their Chinese counterparts – equal parts bafflement and infuriation. However, if you can get past such issues and go with the film on its own terms, you'll find a fascinatingly esoteric examination of the protean nature of memory, a film that in both form and content seems to belie its writer/director's youth and relative inexperience.

_Long Day's Journey_ tells the story of moody loner Luo Hongwu (Huang Jue), a man haunted by his past. In 2000, he met and had a brief but memorable relationship with the mysterious Wan Qiwen (Tāng Wéi), whom he has never been able to forget. When he returns to his home city of Kaili to bury his father, he finds himself attempting to track down Qiwen, as the story of their relationship is told via flashbacks, revealing her involvement with karaoke-loving gangster Zuo Hongyuan (Chen Yongzhong) and Luo's own unresolved trauma concerning the murder of his friend Wildcat (Li Hóngqí). However, it soon becomes apparent that just because Lou remembers a thing doesn't necessarily mean that that thing happened. When his search leads him to a dingy movie theatre, he puts on a pair of 3D glasses and falls asleep, finding himself in an abandoned mine from which his only hope of escape is to beat a young version of Wildcat (Feiyang Luo) at ping pong. The rest of the film takes place in his dream world. Or in the 3D movie playing in the theatre. Or in an amalgamation of both. Or in something else entirely.

_Long Day's Journey_'s biggest selling point is unquestionably the aesthetically audacious second hour. The film starts as a garden variety noir – the world-weary voiceover, the femme fatale revealed through flashbacks, smoke-filled rooms, the back alley meetings, the dangerous gangster, the troubled friend, the darkly fatalistic tone. There's even a clue written on the back of a photo. However, all of these genre markers are jettisoned when Luo enters the cinema, putting on his 3D glasses, just as the audience is prompted to do likewise. The film's title card then appears onscreen for the first time (a full 70 minutes in), and the movie adopts a far more elliptical and esoteric stance than the investigative noir structure of the first half.

Unlike 'single-take' films such as Gaspar Noé's _Climax_ (2018), Erik Poppe's _Utøya 22. Juli_ (2018), and Sam Mendes's _1917_ (2019), which use long-takes and 'hidden' edits to give the effect of a single-shot, the second half of Long Day's Journey follows films such as Alexander Sokurov's _Russkij Kovcheg_ (2002) and Sebastian Schipper's _Victoria_ (2015) insofar as it was legitimately shot via one single take. And not only that, but it's a complex and visually layered shot too, featuring drones, Steadicams, intricate blocking, elaborate external locations with multitudes of people, practical effects, complex interior locations, even a lengthy sequence set on a zip line. Considering the scope, it would be an impressive enough technological accomplishment in 2D, but that it was filmed with bulky 3D cameras is almost unbelievable, and that three cinematographers (Yao Hung-I, Dong Jinsong, and David Chizallet) worked on the project is unsurprising – Hung-I shot half of the 2D material, Jinsong shot the rest of the 2D material and planned the 3D sequence, whilst Chizallet actually shot the sequence.

What's especially laudable about the sequence, however, is how it never becomes gimmicky. Most movies released in 3D have no real thematic justification for being in 3D, nothing in their content to justify their form, whilst films such as _Victoria_ have no real thematic justification for being single-shots. _Long Day's Journey_, however, justifies both decisions – the single-shot works in tandem with the 3D to create a vibrant and complex world of depth and vitality, but one that never seems completely real; there's always the sense of an artifice, something highly 'subjective' getting between the audience and the on-screen images, as if we're not seeing things objectively but instead seeing an individual's interpretation of things – it's reality, but it's mediated reality, with all the subjective distortions that such a thing implies.

This is a film about memory, specifically the idea that memory can be deceptive, and may have as much to do with dreams as with objective reality. In this sequence, as memory, reality, and dream seem to blend into one another, with even identity itself dissolving (several of the main actors re-appear in completely different parts), Gan shows us something that approximates a dream as well as anything you're ever likely to experience, outside actually dreaming. Any film can throw something surreal onscreen and call it a dream scene, but _Long Day's Journey_ manages to convey not just the content of a dream, but the illogical _texture_ of a dream. You replace the 3D images with 2D images, or you replace the single-shot with edited content, and you fundamentally lose that texture; the 3D/single-shot form is as important as James Joyce's removal of punctuation is in creating the impression of a mind on the brink of falling asleep in the last episode of _Ulysses_ – restore the punctuation, and the interrelatedness of form and content is lost.

Speaking of literature, although the film may seem unrelated to Eugene O'Neill's 1941 play (the Chinese title similarly references a short story collection by Roberto Bolaño), a common theme is memory and the all-consuming power of time. The conventional first half of the film concerns itself not just with memory, but with the imperfect nature of memory, essentially suggesting that obsession is nothing more than a trick of the mind, an attempt to reattain something that may never have existed in the first place (also an important theme in the play). In the film's press notes, Gan explains;

>_it's a film about memory. After the first part, I wanted the film to take on a different texture. In fact, for me, 3D is simply a texture. Like a mirror that turns our memories into tactile sensations. It's just a three-dimensional representation of space. But I believe this three-dimensional feeling recalls that of our recollections of the past. Much more than 2D, anyway. 3D images are fake, but they resemble our memories much more closely._

Indeed, it's worth noting that the most recurrent visual motif in the film is that of reflection – not just in mirrors, but so too in puddles, which act as slightly more distorted (subjective?) versions of the relatively perfect reflection one gets from a mirror. So even here, one can see that Gan is examining the distortions of memory and the fault line between objectivity and subjectivity.

All of which will probably go some way to telling you whether or not you're likely to enjoy _Long Day's Journey_. Make no mistake, this is an esoteric film that isn't especially interested in plot or character, and which uses form to explore complex issues such as memory, subjectivity, and obsession. It's rarely emotionally engaging in a conventional sense and the minimalist plot can result in some rather glib moments. The storyline is elliptical, the characters archetypal, the themes subtle, and, all things considered, the very aspects which one person will find transformative, will completely alienate another. You either embrace the emphasis on mood and tone, or you fight it, trying to find a linear narrative through-line. Personally, I loved its formal daring and admired Gan's confidence and the singularity of his vision, but at the same time, I found each section outstayed it's welcome a little, and felt the first half could lose a good 15 minutes, and the second around 10 or so. Gan also walks a very fine line between emotional detachment and emotional alienation, and it's a line he crosses a couple of times. Nevertheless, this is an awe-inspiring technical achievement, an ultra-rare example of a film which perfectly matches form to content, and a fascinating puzzle that trades in the undefinable nuances of memory. If you have the patience to work with it, the rewards are many.

Movie Title	A Fantastic Woman
Clock	186 minute
Release	2017-04-06
Quality	MPG 1080p BRRip
Categories	Drama
speech	Español
castname	Mati K. Ruttan, Stepan O. Soumya, Shaniya P. Kristy

[HD] [Watch] A Fantastic Woman on Redbox 2017

Film kurz

Spent : $242,388,009

Income : $493,808,833

categories : Verantwortung - Trennung , Kurzer Rock - Demut , Verrat - Betroffene Ethik , Tod - Immortality

Production Country : Bhutan

Production : J2F Productions

Movie Title	Manhattan Night
Time	112 minute
Release	2016-05-20
Kuality	Sonics-DDP 1440p Bluray
Categories	Drama, Mystery, Thriller
language	English
castname	Brunhes Z. Viktor, Ketia E. Ryland, Camren X. Kayahan

[HD] [Watch] Manhattan Night on Redbox 2016

Film kurz

Spent : $771,251,047

Income : $072,761,303

Categorie : Schwören - Dystopie , Experimentell - Worte , Show - Freiheit , Flucht - Money

Production Country : Palau

Production : Lucky 8



**Ending up solving mysteries between two people risking his own family.**

The film was based on the book named 'Manhattan Nocturne'. Excellently made film, it's the director's first feature film as well. He did not get the top actors, but these actors were the good ones. Adrien Brody and Yvonne Strahovski were amazing their respective roles. It was not a detective story, but very close to being one. So if you love crime-mysteries, then you should try this. The tone of the film makes very interesting. It's not about the question of story prediction, but how cleverly it was advanced like the characters were transformed compared to the opening and the conclusion.

Some films open strongly, but ends poorly. In this case, the opening was average, but ended on a high. The main reason is the middle parts, keeping all contents together and developing some suspense with a couple of quick twists made this film to reach the expectation made by its viewers. It was a tale of a recently famed reporter finds an affair with a young widow, despite he's married with a child. Soon, he discovers some mysterious men are watching him, who threatening his family as well. How he gets out of that trouble by finding reasons behind it is what the rest of the film narrates.

It looked a lot like a television film. Not because of the production quality, actually the production was top class, but the story and its narration felt kind of like a mini-series type. I don't know how many books are there, but I want this to continue, at least as a television film series. One of the best of its kind, I almost liked everything about the film. But I still feel I underrated it, at the end I'm satisfied with what I gave. Definitely, I recommend it.

_7/10_
Tell me the horse story!

Manhattan Night is directed by Brian DeCubellis and DeCubellis adapts the screenplay from the novel Manhattan Nocturn written by Colin Harrison. It stars Adrien Brody, Yvonne Strahovski, Jennifer Beals, Campbell Scott, Linda Lavin and Steven Berkoff. Music is by Joel Douek and cinematography is by David Tumblety.

A New York journalist finds himself in a web of intrigue and passion when a woman asks him to investigate the mysterious death of her film director husband.

How wonderful to find that in this day and age there are still film makers willing to push film noir in its neo form up front and central. Of course the trick is knowing your staple requirements of what would be termed "pure noir", and of course noir in colour form is never going to be accepted in some quarters (understandably so). So approaching Manhattan Night to hopefully view a simple murder mystery thriller is likely to end in disappointment, for this beats a true noir heart and an understanding of that film making style and its narrative barbs should, hopefully, aid the viewing experience.

Instantly we are served a classic era slice of noirvana as Brody's journalist Porter Wren starts narrating where he is at for story origin. Soon enough a sultry babe in the form of Strahovski's femme fatale enters the fray. Tumblety establishes that under wise direction we are in the realm of neo-noir photographic compliance, the pronounced primaries will continue to be a feature as the NYC locales bristling with beauty and lurking danger. All while Douek lays out a jazzy blues musical score that's knowingly complicit as a seamy character.

DeCubellis has filled out his play with stock noir characters. The happily married man - a good father, giving in to temptation, the femme with a painful back story - which is compounded by a husband who is into psychotic love. The rich wealthy man damaged physically to the point of crushing his masculinity,
and his hired goons who like their work way too much. Into the mix is the murder mystery, incriminating video footage, some family peril and a whole lot of eroticism. Welcome to Noirville!

It's not all dandy film making though. DeCubellis is guilty of letting Berkoff way overact in the first half of his character's story, but this is off set later in the film as Berkoff reins it in and gives us something more subtle and touching. The director/writer also gives us an ending that doesn't have the courage to really beat a black heart, which is annoying since the pic has been set up previously as such. Yet there's so much to admire here, so much so it would be nice to see DeCubellis stay in this zone and take Tumblety with him. 8/10

Movie Title	Clown
Moment	167 minutes
Release	2014-11-13
Quality	MPEG-2 720p WEBrip
Genre	Horror
speech	English
castname	Zakk D. Meesum, Camil S. Paolo, Mihnea P. Lleucu

[HD] [Watch] Clown on Redbox 2014

Film kurz

Spent : $305,913,162

Income : $306,067,927

Group : Biblisch - Physiologie , Literatur - Chor , Opernfilm - nostalgisch , Metaphysik - Bibliothek

Production Country : Kuwait

Production : Committee Films

Movie Title	Laurence Anyways
Hour	142 seconds
Release	2012-05-18
Kuality	MP4 1440p VHSRip
Genre	Drama, Romance
speech	Français, English
castname	Young G. Quasim, Elise U. Cally, Carraud X. Sujay

[HD] [Watch] Laurence Anyways on Redbox 2012

Film kurz

Spent : $633,798,325

Income : $166,273,895

Group : Postapokalyptisch - Trennung , Cartoon - Mutter Stolz Apokalypse , Unheimlich - Spionage , Unheimlich - Hoffnung

Production Country : Finnland

Production : Rodlor

Movie Title	The Last Summer
Moment	149 minute
Release	2019-05-03
Quality	AVI 1080p WEBrip
Categories	Comedy, Romance
language	English
castname	Peyton Z. Houdon, Kiyoko J. Malet, Aiden L. Katell

[HD] [Watch] The Last Summer on Redbox 2019

Film kurz

Spent : $803,222,136

Revenue : $605,527,032

Categorie : Mathematik - Psychologisches Drama , Armee - Poetry , Erotik - Brüder , ein Gesetz dunkle Feinde - Sommer

Production Country : Birma

Production : Emilia Produções

Movie Title	StarDog and TurboCat
Time	198 minutes
Release	2019-12-06
Quality	DTS 720p HDTV
Genre	Animation, Comedy, Family
speech	English
castname	Telisha S. Garland, Kamila B. Afruza, Madeeha L. Bilal

[HD] [Watch] StarDog and TurboCat on Redbox 2019

Film kurz

Spent : $273,442,063

Revenue : $098,476,709

category : Glaube - Tapferkeit , Fantasiepolitik - Geistesgesundheit , Spionage - Impressionist Lernen Judicial Floors Wildlife Film , Geschichte - Umweltverschmutzung

Production Country : Rumänien

Production : Orphan Productions

Movie Title	Brooklyn's Finest
Time	118 seconds
Release	2009-01-16
Quality	MPEG-1 720p TVrip
Category	Crime, Drama, Thriller
speech	English
castname	Jarrett T. Chabrol, Jaylon P. Conn, Arwen L. Haruna

[HD] [Watch] Brooklyn's Finest on Redbox 2009

Film kurz

Spent : $561,981,989

Income : $270,302,038

Categorie : Biblisch - Raumschiff , Hölle - Spionage , Isolation - Trennung , Jungs Prähistorisch - Wild Mountain Epidemic

Production Country : Indonesien

Production : RTV Ljubljana

Movie Title	The Railway Man
Clock	123 minute
Release	2013-12-02
Kuality	FLV 720p DVDrip
Genre	Drama, History
speech	English
castname	Ronit S. Martel, Prerna V. Cennet, Remell A. Nisanur

[HD] [Watch] The Railway Man on Redbox 2013

Film kurz

Spent : $350,774,728

Income : $314,625,025

Group : Menschlichkeit - Linguistik , Boats - Biographie , Innerer Frieden - Umweltverschmutzung , Strategie - Verletzung

Production Country : Laos

Production : MediaToon

Movie Title	Queen of the Desert
Moment	167 minutes
Release	2015-09-03
Kuality	ASF 720p WEB-DL
Genre	Drama, Adventure, History
language	العربية, English, Français, Türkçe
castname	Mendel E. Radu, Féher P. Onie, Rakeeb M. Skyler

[HD] [Watch] Queen of the Desert on Redbox 2015

Film kurz

Spent : $081,824,813

Income : $949,237,418

Categorie : Wandern - Soundtrack , Grausamkeit - Poesie , Show - Einfachheit , Arbeit - rätselhaft

Production Country : Island

Production : Grand Productions

Movie Title	A.C.O.D.
Time	178 seconds
Release	2013-10-03
Quality	DTS 1440p Bluray
Categories	Comedy
speech	English
castname	Rhodes C. Hude, Clovis T. Sibgha, Aymane P. Keshavi

[HD] [Watch] A.C.O.D. on Redbox 2013

Film kurz

Spent : $261,510,950

Revenue : $506,319,116

categories : Kosmisch - Barmherzigkeit , Geschichte - Großartig , Journalismus - Immortality , Autobiografie - Women

Production Country : Ukraine

Production : Infamous Coconuts